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Roberto Clemente

罗伯托·克莱门特
January 25, 2022  ·  American Experience (PBS)  ·  原文

Narrator: : On October 17, 1971, the underdog Pittsburgh Pirates defeated the Baltimore Orioles in game seven to win the World Series.

旁白: 1971 年 10 月 17 日,处于劣势的匹兹堡海盗队在第七场比赛中击败了巴尔的摩金莺队,赢得了世界职业棒球大赛冠军。

Many players had contributed to the victory, but everyone agreed who was most responsible — their veteran right fielder from Puerto Rico, Number 21, Roberto Clemente.

许多球员都为这场胜利做出了贡献,但每个人都认为谁的责任最大——来自波多黎各的老将右外野手,21号罗伯托·克莱门特。

Narrator: : But it wasn’t just his play on the field that day that his admirers would remember.

旁白::但他的崇拜者记住的不仅仅是他那天在球场上的表现。

It was what he did afterwards.

这就是他后来所做的。

Juan Gonzales, writer: : The Latinos who were listening to that were watching the English-language TV to have someone suddenly speak to you in Spanish, reinforced a pride in your own language and culture, and in who Roberto was.

胡安·冈萨雷斯(Juan Gonzales),作家::正在听的拉丁美洲人正在看英语电视,突然有人用西班牙语跟你说话,增强了对自己的语言和文化以及罗伯托是谁的自豪感。

Les Banos, friend: : I cried when he did this, because this was him.

Les Banos,朋友::当他这样做时我哭了,因为这就是他。

He loved his family, he loved his country, he loved the United States but his love was for Puerto Rico.

他爱他的家庭,他爱他的国家,他爱美国,但他爱波多黎各。

Narrator: : He was baseball’s first Latino superstar, before America’s pastime became truly international.

旁白::在美国棒球运动真正走向国际化之前,他是第一位拉丁裔超级巨星。

Robert Ruck, historian: : Clemente is the first athlete to transcend both race and nation and culture.

历史学家罗伯特·拉克(Robert Ruck)::克莱门特是第一位超越种族、国家和文化的运动员。

He’s also not defined by commercialism.

他也没有被商业主义所定义。

It’s about pride, it’s about doing what he believes is right.

这是关于骄傲,是关于做他认为正确的事情。

It’s about loyalty.

这是关于忠诚度的。

Narrator: : He played with unparalleled grace during turbulent times, with passion and pride that were often misunderstood.

旁白::在动荡的时代,他打球时表现出无与伦比的优雅,带着经常被误解的激情和自豪。

George Will, writer: : He was a puzzle I’m sure, to a lot of the sporting press, and they were, mysterious and somewhat adversarial in his view.

乔治·威尔,作家:我确信,对于很多体育媒体来说,他是一个谜,在他看来,他们是神秘的,而且有些敌对的。

Samuel O.

塞缪尔·O.

Regalado, historian: : Clemente was a complicated individual, because he stepped into some very complicated times.

历史学家雷加拉多:克莱门特是一个复杂的人,因为他进入了一些非常复杂的时代。

Narrator: : He was larger than the game he loved, until his sudden, tragic death made him larger still.

旁白::他比他所热爱的游戏更伟大,直到他突然、悲惨的死亡使他变得更加伟大。

Narrator: : “I grew up with people that really had to struggle to live,” Roberto Clemente recalled.

旁白:“我和那些确实必须为生活而奋斗的人一起长大,”罗伯托·克莱门特回忆道。

“My mother never went to a show.

“我妈妈从来没有看过演出。

She didn’t know how to dance.”

她不会跳舞。”

Like many others in rural Puerto Rico, life for Clemente’s family revolved around sugar cane.

和波多黎各乡村的许多其他人一样,克莱门特一家的生活以甘蔗为中心。

His father, Melchor, worked as a foreman in the fields near the small town of Carolina.

他的父亲梅尔乔在卡罗来纳小镇附近的田地里担任工头。

His mother, Dona Luisa, often rose at one a.m.

他的母亲多娜·路易莎经常凌晨一点起床。

to make lunches for the workers.

为工人们做午餐。

Roberto, the youngest of seven children, started working when he was just eight years old.

罗伯托是七个孩子中最小的一个,八岁时就开始工作。

Life in Carolina was hard, with more than its share of tragedy, but he remembered it fondly.

卡罗莱纳州的生活很艰难,充满了悲剧,但他对那段日子记忆犹新。

“We used to get together at night and make jokes and eat whatever we had to eat,” he said later.

“我们过去常常晚上聚在一起开玩笑,吃我们想吃的东西,”他后来说。

“It was something wonderful to me.”

“这对我来说是美妙的事情。”

Shy, pensive, intelligent, Roberto was devoted to the island’s favorite sport.

罗伯托害羞、沉思、聪明,他致力于岛上最受欢迎的运动。

David Maraniss, biographer: : Baseball was it for Clemente from an early age.

传记作者大卫·马拉尼斯 (David Maraniss)::克莱门特从小就热爱棒球。

People in his neighborhood in San Anton who said they always saw him throwing something against the wall.

他在圣安东的邻居说他们总是看到他往墙上扔东西。

It could be a sock or a bottle cap or something but he always had that motion of throwing.

它可能是一只袜子或一个瓶盖或其他什么东西,但他总是有扔的动作。

Baseball captured Roberto as it did thousands and thousands of young boys in Puerto Rico in that era because it was what was available.

棒球吸引了罗伯托,就像它吸引了那个时代波多黎各成千上万的小男孩一样,因为棒球是可用的。

Puerto Rico was not a soccer island.

波多黎各不是一个足球岛。

It was baseball.

那是棒球。

Juan Gonzales, writer: : In Puerto Rico, people argue and fight.

胡安·冈萨雷斯,作家::在波多黎各,人们争论和打斗。

The fanaticism toward baseball’s much greater [laughs] than it is here in the United States.

对棒球的狂热程度比美国要高得多(笑)。

Narrator: : As a teenager in the late 1940s, Clemente would catch the bus into San Juan to watch the Puerto Rican winter leagues, dreaming of his own baseball future.

旁白:20 世纪 40 年代末,作为一名青少年,克莱门特会乘公共汽车前往圣胡安观看波多黎各冬季联赛,梦想着自己的棒球未来。

Already a talented player himself, he watched some of the game’s best, including black players from America’s Negro Leagues, attracted by the island’s open racial climate.

他本人已经是一名才华横溢的球员,他观看了一些最好的比赛,其中包括来自美国黑人联盟的黑人球员,他们被岛上开放的种族氛围所吸引。

Sports Announcer (archival): : It’s a high pop-up.

体育播音员(档案): :这是一个高弹出窗口。

Back for first base that’s second baseman, Taylor, scooting over near the line to make the catch for the out…

回到一垒的是二垒手泰勒,在球线附近快速移动以接球出局……

David Maraniss, biographer: : It was so different in Puerto Rico from in the United States in that period.

传记作者大卫·马拉尼斯 (David Maraniss):: 那个时期的波多黎各与美国有很大不同。

If you were black Puerto Rican or black American, you could eat wherever you wanted to, you could sleep wherever you wanted to, you could date whoever you wanted to, there wasn’t this constant reminder of the color of your skin.

如果你是波多黎各黑人或美国黑人,你可以在任何你想吃的地方吃饭,你可以在任何你想睡觉的地方睡觉,你可以和任何你想约会的人约会,不会有关于你肤色的持续提醒。

Narrator: : Following his favorite team, the San Juan Senadores, Clemente saw top ballplayers, black and white, play with the Caribbean League’s trademark swashbuckling style.

旁白:克莱门特跟随他最喜欢的球队圣胡安参议员队,看到了顶级球员,无论是黑人还是白人,都以加勒比联盟标志性的虚张声势的风格打球。

For fifteen cents, Clemente could watch the outfield play of his idol, Negro league veteran Monte Irvin.

只需十五美分,克莱门特就可以观看他的偶像、黑人联盟老将蒙特·欧文的外场比赛。

Samuel O.

塞缪尔·O.

Regalado, historian: : For Roberto Clemente, the black ball players in many respects represented a very important time in his youth.

历史学家雷加拉多:对于罗伯托·克莱门特来说,黑球运动员在很多方面都代表了他年轻时非常重要的一段时光。

They were the standard bearers for Roberto Clemente.

他们是罗伯托·克莱门特的旗手。

They were the models.

他们是模特。

Narrator: : At eighteen, Clemente got his first break, playing for the Santurce Cangrejeros for 40 dollars a week.

旁白: : 18 岁时,克莱门特第一次获得突破,为 Santurce Cangrejeros 效力,每周收入 40 美元。

Soon the island’s top baseball men were talking about the young outfielder with the quick bat and the rocket arm.

很快,岛上的顶级棒球队就开始谈论这位拥有快速球棒和火箭臂的年轻外野手。

One called him “the best free agent athlete I’ve ever seen.”

有人称他为“我见过的最好的自由球员运动员”。

In 1954, Melchor Clemente signed a contract on behalf of his son with the Brooklyn Dodger organization, for the unimaginable sum of $5000, plus a $10,000 signing bonus.

1954年,梅尔乔·克莱门特代表他的儿子与布鲁克林道奇队签订了一份合同,合同金额达到难以想象的5000美元,外加10,000美元的签约奖金。

His stay with the Dodgers would be short-lived — he would soon be drafted away by the Pittsburgh Pirates — but Roberto Clemente was living the dream of every Puerto Rican kid boy who’d ever swung a bat.

他在道奇队的停留时间很短——他很快就会被匹兹堡海盗队选中——但罗伯托·克莱门特正在实现每个挥舞过球棒的波多黎各小男孩的梦想。

He was on his way north, to play baseball en las grandes ligas.

他正在北上的路上,去参加职业棒球大联盟比赛。

Announcer (archival): : At Fort Myers, training begins for the Pittsburgh Pirates …

播音员(档案)::在迈尔斯堡,匹兹堡海盗队开始训练……

Narrator: : For twenty-year-old Roberto Clemente, the annual ritual of spring training in Florida was both familiar and strange.

旁白:对于二十岁的罗伯托·克莱门特来说,佛罗里达州一年一度的春训仪式既熟悉又陌生。

He had played baseball in a warm sunny climate before.

他以前曾在温暖阳光明媚的气候下打过棒球。

But he had never encountered Jim Crow.

但他从未遇到过吉姆·克劳法。

Samuel O.

塞缪尔·O.

Regalado, historian: : They’re training in the south, and it’s in the south that Roberto Clemente like other Latin American blacks are introduced to the overt racism they had heard about back in their homeland but now actually see in front of them, and it’s really a concept that is very difficult for them to grasp.

历史学家雷加拉多:他们在南方接受训练,正是在南方,罗伯托·克莱门特和其他拉丁美洲黑人一样,接触到了他们在祖国听说过但现在却亲眼目睹的公开种族主义,这对他们来说确实是一个很难理解的概念。

David Maraniss, biographer: : The whole team stayed at the Bradford Hotel downtown except for Clemente and three other black and Latino players who had to find their own lodging on the other side of the tracks, literally.

传记作者大卫·马拉尼斯 (David Maraniss)::整个球队都住在市中心的布拉德福德酒店,除了克莱门特和其他三名黑人和拉丁裔球员,他们必须在铁轨的另一边找到自己的住处。

In every aspect of his life there he felt segregation strongly for really the first time in his life.

在他生活的各个方面,他生平第一次感受到强烈的隔离。

Juan Gonzales, writer: : He was coming here as an American, playing baseball in his country, but he was being treated as a black American, as a foreigner, the way he was being identified that just didn’t jibe with his reality.

胡安·冈萨雷斯,作家::他以美国人的身份来到这里,在自己的国家打棒球,但他被视为美国黑人、外国人,他被认为与现实不相符的方式。

Samuel O.

塞缪尔·O.

Regalado, historian: : You had this combination of young ballplayer, anxious to succeed, has to a certain extent delusions of grandeur, and then there’s the reality of his position as a person and in the south during the period of the 1950s, it didn’t matter whether or not you’re a professional baseball player, you’re just black.

历史学家雷加拉多::年轻的棒球运动员渴望成功,在一定程度上有自大的妄想,然后是他作为一个人的现实地位,在 20 世纪 50 年代的南方,无论你是否是职业棒球运动员,你只是黑人。

Narrator: : With the start of the regular season, the team came north to Pittsburgh, a tough, smoke-belching steel town, where Clemente took a room in a middle-class African-American neighborhood.

旁白:随着常规赛的开始,球队北上匹兹堡,这是一个艰苦、冒着浓烟的钢铁小镇,克莱门特在一个中产阶级非裔美国人社区租了一个房间。

Pittsburgh fans loved their Bucs, as they called the team; but they didn’t quite know what to make of their lone Latino player; and Clemente did not quite know what to make of Pittsburgh.

匹兹堡球迷热爱他们的海盗队(他们这样称呼这支球队)。但他们不太知道如何对待他们唯一的拉丁裔球员;克莱门特不太清楚匹兹堡是怎样的。

Robert Ruck, historian: : You were black or you were white in Pittsburgh.

历史学家罗伯特·拉克(Robert Ruck)::在匹兹堡你要么是黑人,要么是白人。

You weren’t Latin.

你不是拉丁人。

You weren’t Puerto Rican.

你不是波多黎各人。

On the other hand I suspect that both black and white Pittsburghers had a hard time understanding Clemente.

另一方面,我怀疑匹兹堡黑人和白人都很难理解克莱门特。

They had little experience with people from Latin America, with Latin American culture, with that sense of Latin pride.

他们对来自拉丁美洲的人、拉丁美洲文化和拉丁自豪感缺乏经验。

The black community saw him and physically he was black to them, but not culturally.

黑人社区看到了他,对他们来说,他在身体上是黑人,但在文化上却不是。

Orlando Cepeda, San Francisco Giants: : He told me that, that it was very lonely for him because of communication — he couldn’t communicate, and that’s why — we have two strikes: being black, and being Latin.

奥兰多·塞佩达,旧金山巨人队:他告诉我,由于沟通,他感到非常孤独——他无法沟通,这就是为什么——我们有两个优势:黑人和拉丁人。

Narrator: : Clemente spent little free time with his fellow Pirates, some of whom found him guarded and aloof.

旁白:克莱门特很少有空闲时间与他的海盗同伴们在一起,其中一些人发现他很警惕、冷漠。

Whatever the reason, the result was obvious: besides baseball, #21 and his teammates had little in common.

不管是什么原因,结果是显而易见的:除了棒球之外,21 号和他的队友几乎没有共同点。

Samuel O.

塞缪尔·O.

Regalado, historian: : Clemente after baseball games has no one really to pal around with in terms of his teammates.

雷加拉多,历史学家::棒球比赛结束后,克莱门特没有人真正可以和他的队友打交道。

He often wanders around by himself and Clemente, in fact, signed autographs till the last person had his baseball signed in large part because Clemente had really nothing else better to do that day after games.

事实上,他经常独自一人和克莱门特四处闲逛,直到最后一个人在他的棒球上签名,这在很大程度上是因为克莱门特在比赛结束后的那天确实没有其他更好的事情可做。

Narrator: : In the days before publicists and security guards, players and fans could sometimes have a human encounter.

旁白::在没有公关人员和保安的日子里,球员和球迷有时可能会遇到人际交往。

One day, a seventeen-year-old fan from rural Pennsylvania saw Clemente after a Phillies game.

有一天,一位来自宾夕法尼亚州乡村的 17 岁球迷在一场费城人队比赛后见到了克莱门特。

Carol Brezovec Bass: : I decided to approach him and I said, “May I please have your autograph?” — and I had just begun to learn some Spanish and so I said, “O, gracias, ah, Señor Clemente” and he smiled and he looked up and he started to rattle and go off into Spanish.

卡罗尔·布雷佐维克·巴斯::我决定接近他,我说:“可以请你签名吗?” ——我刚刚开始学习一些西班牙语,所以我说,“哦,谢谢,啊,克莱门特先生”,他微笑着,抬起头,开始喋喋不休地讲西班牙语。

And he just went on and on, and I was just like, um, you know, so nervous inside and I thought, “Oh my gosh, you know, how do I, you know, what do I do to tell him, you know, I don’t understand what he, what he had to say.”

他一直说个不停,我就想,嗯,你知道,内心非常紧张,我想,“哦,天哪,你知道,我该怎么做,你知道,我该怎么告诉他,你知道,我不明白他说什么,他要说什么。”

“Mr. Clemente, I’m so sorry.” I said, um “I’m just beginning to learn Spanish, I only know a few words, Well he, you know, started to laugh, he said, you know, “You’re never going to get a lot of autographs being so far back.”

“克莱门特先生,非常抱歉。”我说,嗯,“我刚刚开始学习西班牙语,我只认识几个单词,好吧,他,你知道,开始笑,他说,你知道,“你永远不会得到很多签名。”

David Maraniss, biographer: : An athlete’s life is mostly being uprooted.

传记作者大卫·马拉尼斯 (David Maraniss)::运动员的生活大多是被连根拔起的。

And a lot of athletes deal with that by finding superficial outlets.

许多运动员通过寻找表面的发泄方式来解决这个问题。

Clemente mostly dealt with it by trying to find reminders of home and family wherever he was.

克莱门特主要通过尝试无论身在何处都能找到家乡和家人的回忆来解决这个问题。

Carol was one part of that in an unlikely white girl from Philadelphia becomes part of the Clemente family.

卡罗尔是一个来自费城的白人女孩不太可能成为克莱门特家族的一员的一部分。

Narrator: : Over the years, Clemente would host Carol and her parents when they visited him in Puerto Rico.

旁白:多年来,当卡罗尔和她的父母去波多黎各探望他时,克莱门特都会接待他们。

But friendships with individual fans were one thing; relations with Pittsburgh’s hard-bitten press were quite another.

但与个别粉丝的友谊是一回事,而与个人粉丝的友谊是一回事。与匹兹堡顽固媒体的关系则完全是另一回事。

Theirs was an awkward dance of mutual incomprehension and often hostility.

他们的舞蹈很尴尬,相互不理解,而且常常充满敌意。

Roy McHugh, sportswriter: : If Clemente wasn’t approached in the right way, he would flare up.

体育记者罗伊·麦克休:如果没有以正确的方式接近克莱门特,他就会发怒。

His feelings seemed to be right on the surface.

他的感觉似乎就在表面上。

And after the wrong question or the wrong word would set him off.

错误的问题或错误的词语会让他生气。

I can’t say that I enjoyed talking with him.

我不能说我很喜欢和他聊天。

Al Oliver, teammate: : What cracked me up about Roberto was in a lot of his interviews, they would come and interview him, he would start talking about life.

艾尔·奥利弗(Al Oliver),队友::罗伯托的很多采访让我大笑,他们会来采访他,他会开始谈论生活。

And the writers just weren’t ready for that.

而编剧们还没有准备好。

Narrator: : Baseball players were supposed to be upbeat, and uncomplicated; not Clemente.

旁白::棒球运动员应该是乐观的、简单的;不是克莱门特。

The Pirate outfielder was often moody, haunted by chronic insomnia, a serious man ill-at-ease in a boisterous locker room.

这位海盗外野手经常情绪低落,长期失眠,在喧闹的更衣室里显得很不自在。

[Clemente speaking heavily-accented Spanish]

[克莱门特讲着口音很重的西班牙语]

Narrator: : For much of the Pittsburgh press, it seemed a Latino player’s background was something to be mocked, or ignored.

旁白::对于匹兹堡的大部分媒体来说,拉丁裔球员的背景似乎是值得嘲笑或忽视的东西。

Juan Gonzales, writer: : There was an attempt to really sort of deny the Latino heritage of these ballplayers.

胡安·冈萨雷斯,作家::有人试图真正否认这些棒球运动员的拉丁裔血统。

I was, uh, just a kid then, but I remember he was always called Bobby Clemente.

那时我,呃,只是个孩子,但我记得他总是叫鲍比·克莱门特。

They Americanized the names and always the sports writers and the ball players ridiculed their attempts to speak English.

他们将名字美国化,体育作家和球员总是嘲笑他们说英语的尝试。

Al Oliver, teammate: : Bottom line was there wasn’t a lot of knowledge of Puerto Rican players.

艾尔·奥利弗(Al Oliver),队友::底线是对波多黎各球员的了解不多。

There wasn’t a lot of knowledge of even black players at that particular time.

在那个特定的时期,即使是黑人球员也没有太多的知识。

And it had a lot to do with not being around.

这与不在身边有很大关系。

If you’re not around a certain group of people, then you form opinions.

如果你不在某一群人周围,那么你就会形成意见。

Narrator: : Clemente repeatedly broke an unwritten rule for professional athletes: never say what’s really on your mind.

旁白:克莱门特多次打破了职业运动员的一条不成文的规则:永远不要说出你真正的想法。

And another: never complain about injuries, aches, or pains.

还有一点:永远不要抱怨受伤、疼痛或疼痛。

Roberto Clemente (archival): : Well, last year I wasn’t feeling good last year and I hit .312 and I hope with my rest and my stomach will stop hurting me I feel, I think I can have a better year.

Roberto Clemente(档案):嗯,去年我感觉不太好,我达到了 0.312,我希望通过我的休息和我的胃会停止伤害我,我觉得,我想我可以度过更好的一年。

I hope so anyhow.

无论如何我希望如此。

I was, uh, under-weight, under-weight last year.

去年我,呃,体重不足,体重不足。

I was having a little trouble with my stomach.

我的胃有点不舒服。

Narrator: : His stomach, his back, his legs, his neck — everything seemed to plague him at some point.

旁白::他的胃、他的背、他的腿、他的脖子——一切似乎都在某个时刻困扰着他。

Before long, Clemente acquired a reputation as an oversensitive hypochondriac.

不久之后,克莱门特就获得了“过度敏感的忧郁症患者”的名声。

Roy McHugh, sportswriter: : One day after a game, he was sitting in front of his locker with his uniform off and Joe Brown the general manager told him to get into the shower and get dressed.

罗伊·麦克休,体育记者: 比赛结束后的一天,他脱掉队服坐在更衣室前,总经理乔·布朗让他去淋浴并穿好衣服。

He said, “You’ll catch a cold,” he said “I don’t want you to be sick.” Clemente said, “I feel better when I’m sick.” I don’t know what he meant by that but he knew what he meant.

他说,“你会感冒的,”他说,“我不想让你生病。”克莱门特说:“当我生病时,我感觉好多了。”我不知道他的意思,但他知道他的意思。

George Will, writer: : We acquired a national stoicism from the thirties and our troubles in the Depression, from the forties from the war.

作家乔治·威尔::我们从三十年代和大萧条时期的麻烦、四十年代的战争中获得了民族坚忍主义。

Stoicism was identified with manliness, and it was thought somehow less than manly to complain about ailments, even though real.

斯多葛主义被认为是男子气概,而抱怨疾病却被认为在某种程度上不够男子气概,即使是真的。

Robert Ruck, historian: : White ballplayers and black ballplayers uh, were relatively taciturn, they chewed tobacco.

历史学家罗伯特·拉克(Robert Ruck)::白人球员和黑人球员呃,相对沉默寡言,他们嚼烟草。

Not too many of them had a great sense of style or flair.

他们中没有多少人具有出色的时尚感或天赋。

Certainly if they asked these players questions about how they were feeling and the player actually talked about their feelings, that was not something they were accustomed to.

当然,如果他们向这些玩家询问他们的感受,而玩家实际上谈论了他们的感受,那不是他们所习惯的。

Pirates player (archival): : Frank, there’s a lot of reasons for it.

海盗玩家(存档)::弗兰克,这有很多原因。

I believe the biggest one being confidence, the main thing and uh, swinging the bat.

我认为最重要的是信心,最重要的是,呃,挥动球棒。

Narrator: : There was a source for some of Clemente’s pain, but he seldom spoke of it.

旁白:克莱门特的一些痛苦是有根源的,但他很少提起。

Back in 1954 he had been in a serious car accident that damaged his spine and neck.

早在 1954 年,他就遭遇了一场严重的车祸,导致脊椎和颈部受伤。

The injuries would plague him for the rest of his life.

伤病将困扰他一生。

Stung by what he saw as unfair criticism, Clemente lashed out at his detractors.

克莱门特被他认为不公平的批评所刺痛,猛烈抨击了他的批评者。

“Hypochondriacs don’t produce,” he growled.

“疑病症患者不会生产,”他咆哮道。

“I produce!”

“我生产!”

George Will, writer: : Clemente played hard all the time, he played all the time, but he talked all the time about how hard it was to do what he did.

乔治·威尔,作家:克莱门特一直在努力打球,他一直在打球,但他一直在谈论做他所做的事情是多么困难。

And I think it grated on some people who thought that the ideal ballplayer should be like Gary Cooper — tall, silent, stoical.

我认为这激怒了一些人,他们认为理想的棒球运动员应该像加里·库珀那样——高大、沉默、坚忍。

Narrator: : In his first five seasons with the Pirates, Clemente hadn’t exactly lit up Forbes Field with his hitting.

旁白::在海盗队的前五个赛季中,克莱门特的击球并没有完全照亮福布斯球场。

He’d batted over .300 only once, with seven or less homers.

他只有一次击球数超过 0.300,全垒打数为 7 个或更少。

His play in right field was something else: he’d won over a growing number of local fans with his powerful arm and remarkable range.

他在右外野的表现是另一回事:他用强有力的手臂和非凡的射程赢得了越来越多的当地球迷。

Still, he was on a lackluster team and the national press barely noticed.

尽管如此,他所在的球队表现平淡,全国媒体几乎没有注意到。

Samuel O.

塞缪尔·O.

Regalado, historian: : In 1960, the Pittsburgh Pirates were no longer the laughing stock of baseball.

历史学家雷加拉多:1960 年,匹兹堡海盗队不再是棒球界的笑柄。

The Pittsburgh Pirates are champions of the national league.

匹兹堡海盗队是全国联赛的冠军。

Narrator: : That year, Clemente led the team in runs batted in, was second in home runs and game-winning hits, and led the league in outfield assists.

旁白: :那一年,克莱门特在击球数上领先全队,在全垒打和致胜安打上排名第二,在外野助攻上领先联盟。

Samuel O.

塞缪尔·O.

Regalado, historian: : By 1960 he is an all-star player in the national league.

Regalado,历史学家: :到 1960 年,他已成为全国联赛的全明星球员。

He is becoming a real threat to opponents.

他正在成为对手的真正威胁。

He might not be recognized by the national media, but on the baseball diamond, clearly his opponents recognize Roberto Clemente’s rising star.

他可能没有得到国家媒体的认可,但在棒球场上,显然他的对手认识到罗伯托·克莱门特这位冉冉升起的新星。

Narrator: : For the first time in 33 years, the Pirates found themselves playing in the World Series.

旁白: : 33 年来,海盗队第一次参加世界职业棒球大赛。

Unluckily, they had to face the New York Yankees, winner of five titles in the past decade, and a team packed with superstars such as Mickey Mantle, Yogi Berra, and Whitey Ford.

不幸的是,他们不得不面对过去十年五次夺冠的纽约洋基队,以及一支云集米基·曼特尔、尤吉·贝拉和怀蒂·福特等超级巨星的球队。

Robert Ruck, historian: : The 1960 series was David and Goliath.

历史学家 Robert Ruck::1960 年的系列剧是《大卫与歌利亚》。

The Yankees were the franchise of professional sport, winning more titles than any team in any sport.

洋基队是职业运动的一支球队,赢得的冠军比任何运动中的任何球队都多。

David Maraniss, biographer: : The Pittsburgh Pirates came into the World Series as massive underdogs.

传记作者大卫·马拉尼斯 (David Maraniss)::匹兹堡海盗队在进入世界职业棒球大赛时是一个巨大的失败者。

They have a very good team but no one had really heard of the Pirates players.

他们有一支非常优秀的球队,但没有人真正听说过海盗队球员。

Narrator: : Helped by some timely hitting from Clemente, and his outfield play, the Pirates managed to win three of the first six games, despite being outscored by the powerful Yankees, 46 to 17.

旁白::在克莱门特的及时击球和他的外野表现的帮助下,海盗队在前六场比赛中赢得了三场,尽管他们的比分被强大的洋基队以 46 比 17 击败。

The seventh and deciding game would be played in Pittsburgh, where only the most diehard Bucs fans gave the home team much of a chance.

第七场也是决定性的比赛将在匹兹堡进行,只有最顽固的海盗队球迷才会给主队很大的机会。

In the bottom of the ninth inning, David and Goliath were tied, 9-9.

第九局下半,大卫与歌利亚打成9-9平。

As Pittsburgh held its collective breath, Pirate second baseman Bill Mazeroski came to the plate.

当匹兹堡队集体屏住呼吸时,海盗队二垒手比尔·马泽罗斯基上垒。

When Mazeroski reached home, Clemente was there, celebrating one of the great upsets in baseball history, proud of his own big contribution to the team’s success.

当马泽罗斯基回到家时,克莱门特正在那里庆祝棒球历史上最大的冷门之一,并为自己为球队的成功做出的巨大贡献感到自豪。

Once off the field, he expected to make a quick exit and catch a plane home to Puerto Rico.

离开球场后,他希望能快速离开并搭乘飞机返回波多黎各。

But he hadn’t counted on the scene outside the clubhouse.

但他没有想到会所外的情景。

“There’s Clemente!” someone shouted and the crowd surged forward.

“克莱门特来了!”有人大喊一声,人群涌上前去。

It took him an hour to make his way through.

他花了一个小时才通过。

After years of feeling himself an outsider, he had won them over.

在多年感觉自己是局外人之后,他赢得了他们的支持。

The fans of Pittsburgh, he said, had made it all worthwhile.

他说,匹兹堡的球迷让这一切都变得值得。

Finally back in San Juan, at the airport, Clemente received a greeting befitting a returning hero.

终于回到圣胡安,在机场,克莱门特受到了英雄归来所应有的问候。

Proud Puerto Ricans had followed the series closely on the radio, and in the papers — a sign in the crowd said what every one felt about their triumphant native son.

自豪的波多黎各人在广播和报纸上密切关注着这个系列节目——人群中的一个标语表达了每个人对他们胜利的本土儿子的感受。

He had barely touched ground when the crowd scooped him up and carried him away.

他刚一落地,人群就将他抱起并带走了。

Juan Gonzales, writer: : He was the hero of the island.

胡安·冈萨雷斯,作家: :他是岛上的英雄。

He was like a God.

他就像上帝一样。

The pride that Puerto Ricans felt over what he had managed to accomplish in baseball was incredible.

波多黎各人对他在棒球领域取得的成就感到难以置信。

Narrator: : The celebration went on for weeks.

旁白::庆祝活动持续了数周。

During the day, dressed in his major league uniform, he led clinics for groups of worshipful Puerto Rican kids.

白天,他穿着大联盟制服,为一群虔诚的波多黎各孩子们提供诊所。

Most nights, he attended banquets held in his honor.

大多数晚上,他都会参加为他举行的宴会。

But Clemente had a different kind of honor in mind — the National League’s Most Valuable Player Award for the 1960 season.

但克莱门特心中有一种不同的荣誉——1960 赛季国家联盟最有价值球员奖。

On November 17, the results were finally announced.

11月17日,结果终于揭晓。

In the vote of the nation’s baseball writers for the league’s top player, Clemente finished eighth.

在全国棒球作家投票选出联盟最佳球员时,克莱门特名列第八。

He took it hard.

他很难接受。

Les Banos, friend: : He felt that he did the best performance in his life in the 1960 World Series and personally, he felt this, he should deserve the most valuable player for this, but he didn’t get it.

Les Banos,朋友::他觉得自己在 1960 年世界职业棒球大赛中取得了一生中最好的表现,就个人而言,他觉得自己应该因此获得最有价值的球员,但他没有得到。

And he felt you know a certain amount of prejudice was involved at the time.

他觉得你知道当时存在一定程度的偏见。

George Will, writer: : He was very sensitive to slights and to the sense that he was not noticed.

乔治·威尔(George Will),作家::他对轻视以及自己没有被注意到的感觉非常敏感。

Clemente’s resentment arose from, first, his pride.

克莱门特的怨恨首先源于他的骄傲。

Second, from the injustice of the vote — you can’t say absolutely that Clemente should have been the MVP, but there weren’t seven more valuable players in the National League than Clemente that year.

其次,从投票的不公正性来看——你不能绝对地说克莱门特应该成为MVP,但当年全国联盟中没有七名球员比克莱门特更有价值。

David Maraniss, biographer: : I’ve heard that he never wore his World Series ring after that because he was so upset.

传记作者大卫·马拉尼斯 (David Maraniss):我听说他此后再也没有戴过世界大赛戒指,因为他非常沮丧。

Whether that’s apocryphal or not, it represents accurately the way he felt.

不管这是否是杜撰的,它准确地代表了他的感受。

He felt that he had been done in by racism.

他觉得自己已经被种族主义折磨了。

It was sort of a reminder that life in America was different from his life in Puerto Rico, that the way he was regarded was different, and worse, and that he would not allow that to happen again.

这在某种程度上提醒人们,美国的生活与波多黎各的生活不同,人们对他的看法也不同,甚至更糟,他不会允许这种情况再次发生。

Narrator: : Roberto Clemente arrived for spring training in 1961 with a new contract worth $35,000, and something to prove.

旁白: 1961 年,罗伯托·克莱门特 (Roberto Clemente) 带着一份价值 35,000 美元的新合同来到春季训练,并需要证明一些东西。

Fueled by his anger at being overlooked, the 27-year-old Pirate outfielder lifted his play to a new level.

这位 27 岁的海盗外野手因被忽视而感到愤怒,他将自己的比赛提升到了一个新的水平。

That year he would hit a league-leading .351, while playing stellar defense.

那一年,他打出了联盟领先的 0.351,同时也打出了出色的防守。

Even as the Pirates returned to their old losing ways, Clemente was emerging as one of the greatest right fielders in the game of baseball.

即使海盗队又重蹈覆辙,克莱门特却逐渐成为棒球比赛中最伟大的右外野手之一。

Juan Gonzales, writer: : Over 50 years I’ve watched many, many baseball games in my lifetime, I can never remember anyone who threw a ball, uh, better than Roberto Clemente when there was a base runner heading to third or a base runner trying to score at home.

胡安·冈萨雷斯(Juan Gonzales),作家: 50多年来,我一生中看过很多很多棒球比赛,当跑垒员冲向第三垒或跑垒员试图在主场得分时,我从来不记得有谁比罗伯托·克莱门特(Roberto Clemente)投球更好。

It was a rifle, it was an incredible arm that he had and incredibly accurate.

这是一把步枪,这是他拥有的令人难以置信的手臂,而且非常准确。

And so there were some ways that he was so superior to all the other ballplayers that all of the issues of race and, and nationality and language all fell by the wayside once the game started.

因此,在某些方面,他比所有其他球员都优越,以至于比赛开始后,所有种族、国籍和语言问题都被抛到了一边。

George Will, writer: : He would gesture and move his shoulders and his neck as though we were trying to work the kinks out.

乔治·威尔,作家::他会做手势并移动他的肩膀和脖子,就好像我们正在努力解决问题一样。

Then, he would settle himself in the batter’s box, and all hell would break loose.

然后,他将自己安置在击球手区,一切都将崩溃。

Robert Ruck, historian: : Clemente played with abandon.

罗伯特·拉克(Robert Ruck),历史学家::克莱门特玩得很放纵。

He was like a horse galloping around the bases, arms flailing.

他就像一匹马,在基地周围驰骋,挥舞着手臂。

Steve Blass, teammate: : The way he handled his body was incredible.

队友史蒂夫·布拉斯(Steve Blass)::他处理身体的方式令人难以置信。

I mean just incredible.

我的意思是简直难以置信。

It looks like he was galloping.

看起来他正在疾驰。

Looked like he was all arms, but got there quickly.

看上去他浑身都是手臂,但很快就到了那里。

His body was a baseball machine.

他的身体是一台棒球机。

George Will, writer: : So in every facet of the game — hitting, catching, hitting with power, throwing the ball — the classic five-tool player, that was Roberto Clemente.

作家乔治·威尔:因此,在比赛的各个方面——击球、接球、强力击球、投球——经典的五工具球员,那就是罗伯托·克莱门特。

Narrator: : Across the U.S., the Pirates’ talented right fielder was now being cheered by a growing number of Latino fans.

旁白::在美国各地,海盗队这位才华横溢的右外野手现在受到越来越多拉丁裔球迷的欢呼。

Through the 1960s, a surge in immigration from Latin America and the Caribbean brought new faces to US cities — and to baseball dugouts as well.

整个 20 世纪 60 年代,来自拉丁美洲和加勒比海地区的移民激增,为美国城市和棒球场带来了新面孔。

When Clemente first entered the major leagues in 1955, there had been only a handful of Latino players; now, nearly a decade later, there were dozens.

1955年克莱门特首次进入大联盟时,拉丁裔球员屈指可数。现在,近十年后,已经有几十个了。

But not everyone in baseball welcomed the trend.

但并不是棒球界的每个人都欢迎这一趋势。

George Will, writer: : Alvin Dark, the manager of the San Francisco Giants, forbad the speaking of Spanish in the clubhouse — he thought that Hispanic players were somehow an alien presence and a threat to cohesion.

乔治·威尔,作家:阿尔文·达克,旧金山巨人队的主教练,禁止在俱乐部会所讲西班牙语——他认为西班牙裔球员在某种程度上是一种外星人,对凝聚力构成威胁。

I don’t know what the thinking was.

我不知道当时的想法是什么。

Narrator: : Number 21 realized that to fans and fellow players alike, he had become something more than a right fielder.

旁白:21号意识到,对于球迷和其他球员来说,他已经不仅仅是一名右外野手了。

He had become a role model.

他已经成为一个榜样。

Les Banos, friend: : He was very careful always, his appearance.

Les Banos,朋友::他总是非常小心他的外表。

Because he felt the first impression very important, especially from him.

因为他觉得第一印象非常重要,尤其是他的第一印象。

Because he felt he not representing Roberto Clemente alone, he always told me, I’m representing the people of Puerto Rico.

因为他觉得自己不仅仅代表罗伯托·克莱门特,他总是告诉我,我代表波多黎各人民。

George Will, writer: : He represented impatience, he was a cauldron of energy, representing the upward mobility, of people who had hitherto been excluded.

作家乔治·威尔:他代表着不耐烦,他是一个充满活力的大锅,代表着迄今为止被排除在外的人们的向上流动性。

Narrator: : Each October, after the baseball season ended, Roberto would return to Puerto Rico.

旁白::每年十月,棒球赛季结束后,罗伯托都会回到波多黎各。

Driving the streets of San Juan in his white Cadillac, he attracted attention worthy of a movie star.

他开着白色凯迪拉克行驶在圣胡安的街道上,引起了不亚于电影明星的关注。

He was still in his twenties, handsome, famous and single.

他当时才二十多岁,英俊、有名、单身。

David Maraniss, biographer: : He was magnetic.

传记作者大卫·马拉尼斯::他很有魅力。

There were always women writing him love letters, trying to be near him and it wasn’t that he was just walking around, prowling as a hunk.

总有女人给他写情书,试图靠近他,而他并不是只是像个大块头一样四处走动。

He was a very soft guy who wanted to hear other people’s stories and so that added to his magnetism.

他是一个非常温柔的人,喜欢听别人的故事,这增加了他的吸引力。

Narrator: : After a decade on the road, Clemente was eager to settle down.

旁白::在漂泊了十年之后,克莱门特渴望安定下来。

Vera Zabalo was striking, a twenty-two year-old college graduate who worked in a bank.

维拉·扎巴洛 (Vera Zabalo) 很引人注目,她是一名二十二岁的大学毕业生,在一家银行工作。

And she was from Carolina, Clemente’s beloved childhood home, where her father had worked in the local sugar cane fields.

她来自克莱门特童年时最喜爱的家乡卡罗莱纳州,她的父亲曾在当地的甘蔗田里工作。

David Maraniss, biographer: : She didn’t even know that Roberto Clemente was a ball player, he started calling her at work, asking her for dates, and eventually Clemente got up the nerve to sort of deal with the father.

传记作者大卫·马拉尼斯 (David Maraniss):她甚至不知道罗伯托·克莱门特 (Roberto Clemente) 是一名球员,他开始在工作时给她打电话,向她约约会,最终克莱门特鼓起勇气与父亲打交道。

Vera Clemente, wife [in Spanish, subtitled]: : My father said to him, “I don’t know why you are here.

维拉·克莱门特(Vera Clemente),妻子(西班牙语,字幕)::我父亲对他说:“我不知道你为什么在这里。

We are a humble family and you are a famous man.

我们是一个卑微的家庭,而你是一个名人。

You must know many pretty women, some even with money.

你一定认识很多漂亮女人,有些甚至有钱。

We don’t have any money, so I don’t know why you are here.

我们没有钱,所以我不知道你为什么来这里。

Roberto said, “Other women don’t interest me.

罗伯托说:“我对其他女人不感兴趣。

The one that I love is here.”

我爱的人就在这里。”

Narrator: : November 14, 1964, the couple married and settled down in Carolina.

旁白: 1964年11月14日,夫妻俩在卡罗来纳州结婚并定居。

The next year, Vera gave birth to a son.

第二年,维拉生下了一个儿子。

Two more boys would follow.

接下来还有两个男孩。

Vera soon discovered that her husband had some eccentricities.

维拉很快发现她的丈夫有一些怪癖。

David Maraniss, biographer: : Clemente was kind of new age before there was new age.

传记作者大卫·马拉尼斯 (David Maraniss)::克莱门特在新时代出现之前就已经是新时代了。

He was an incredible masseuse, he was constantly taking different proteins and odd concoctions of shakes to try to stay healthy.

他是一位令人难以置信的按摩师,他不断服用不同的蛋白质和奇怪的奶昔混合物来保持健康。

He believed in sort of mystical connections between life and death and people who were no longer around.

他相信生与死与已不在身边的人之间存在着某种神秘的联系。

Narrator: : His connection to the dead centered on a childhood tragedy, the loss of his sister, Anairis, burned to death in a kitchen accident when Roberto was just an infant.

旁白::他与死者的联系集中在一场童年悲剧,罗伯托还是个婴儿时,他的妹妹阿纳里斯在一次厨房事故中被烧死。

For the rest of his life, he would be haunted by fire, and by thoughts of his own mortality.

在他的余生中,他将被火焰和对自己死亡的想法所困扰。

David Maraniss, biographer: : He had talked for the rest of his life about feeling his sister at his side.

传记作者大卫·马拉尼斯 (David Maraniss)::他在余生中一直在谈论感觉妹妹就在他身边。

He had a certain melancholy to him.

他身上有一种忧郁的气质。

You see it in his eyes.

你从他的眼睛里看到了这一点。

Vera Clemente, wife [in Spanish, subtitled]: : He had special “timing.” For instance, he was in a hurry to get married.

维拉·克莱门特(Vera Clemente),妻子(西班牙语,副标题)::他有特殊的“时机”。例如,他急于结婚。

Because he always thought he would die young.

因为他一直以为自己会英年早逝。

Narrator: : In the mid-1960s, Clemente found himself engaged by events beyond the ballpark, as America entered a time of unprecedented change.

旁白: 20 世纪 60 年代中期,随着美国进入前所未有的变革时代,克莱门特发现自己正忙于处理一些超出球场范围的事件。

As Clemente watched and read about the protesters pouring into the nation’s streets, he identified closely with the widening movement for civil rights.

当克莱门特看到并读到抗议者涌入全国街头时,他对日益扩大的民权运动有着密切的认同。

David Maraniss, biographer: : Clemente was interested in more than sports.

传记作者大卫·马拉尼斯 (David Maraniss)::克莱门特的兴趣不仅仅限于体育运动。

He was very political.

他非常政治化。

And one of the people he admired most in the world was Martin Luther King.

他在世界上最崇拜的人之一是马丁·路德·金。

The one time we know that Dr. King went down to Puerto Rico, Clemente uh sought him out and spent most of a day with him, took him to his farm.

有一次我们知道金博士去了波多黎各,克莱门特呃找到了他,并与他一起度过了大部分时间,带他去了他的农场。

Robert Ruck, historian: : Because he’s in the black community and because he’s traveling around it’s clear at that time that this is a guy that’s interested in what’s going on around him and has opinions about that.

历史学家罗伯特·拉克(Robert Ruck)::因为他身处黑人社区,而且因为他在各地旅行,所以很明显,这个人对周围发生的事情很感兴趣,并且对此有自己的看法。

He’s not only an observer, he’s somebody who’s passionately connected to what’s going on.

他不仅是一个观察者,而且是一个对正在发生的事情充满热情的人。

He’s talking about those things.

他正在谈论这些事情。

He’s arguing about those things.

他正在争论这些事情。

David Maraniss, biographer: : It goes back to the way they were treated in spring training when they were on those buses going from one town to another and the white guys would go into a restaurant and bring back sandwiches to the, Clemente and a few blacks and Latinos.

传记作者大卫·马拉尼斯:这可以追溯到他们在春季训练中受到的待遇,当时他们乘坐从一个城镇到另一个城镇的巴士,白人会走进一家餐馆,给克莱门特和一些黑人和拉丁裔带回三明治。

That was not going to fly with Clemente.

这对克莱门特来说是行不通的。

Roberto Clemente (archival): : Now we are in Florida, not too far from Puerto Rico and you see the white players go to the restaurant and they say, “Fellas, do you want anything to eat?” Now we are sitting in the back of the …

罗伯托·克莱门特(档案):现在我们在佛罗里达州,距离波多黎各不远,你会看到白人球员去餐厅,他们说:“伙计们,你们想吃点什么吗?”现在我们坐在……的后面。

we’re sitting in the bus, we weren’t sitting in the back of the bus but we were sitting inside the bus, and I remember I said, “Look if you’re going to accept anything from anybody from that restaurant then you and me are gonna have it.

我们坐在公共汽车上,我们没有坐在公共汽车后部,但我们坐在公共汽车内部,我记得我说,“看看,如果你要接受那家餐厅的任何人的任何东西,那么你和我都会得到它。

We will have a fight because I think it’s not fair if this is the way it’s going to be, if this is the way we’re going to suffer.

我们会打架,因为我认为如果事情就是这样,如果我们要受苦,那是不公平的。

And so now, I don’t want you — none of the fellas to eat anything.”

所以现在,我不希望你们——任何人都不要吃任何东西。”

Narrator: : Celebrity did little to dull his sensitivity to injustice; if anything, it only sharpened it.

旁白::名人并没有减轻他对不公正现象的敏感度;如果说有什么不同的话,那也只是让事情更加尖锐而已。

Once, out shopping with Vera in a New York department store, the couple was ignored until someone recognized the famous ballplayer.

有一次,他们和维拉一起在纽约一家百货公司购物,两人被忽视了,直到有人认出了这位著名的棒球运动员。

When the salespeople suddenly lavished them with attention, Clemente would have none of it.

当销售人员突然对他们给予极大的关注时,克莱门特却一无所获。

Vera Clemente, Wife [in Spanish, subtitled]: : Roberto told the clerk, “I asked you to show us the best furniture.

维拉·克莱门特(Vera Clemente),妻子(西班牙语,字幕)::罗伯托告诉店员,“我请你向我们展示最好的家具。

Why did you take so long?

你为什么花了这么长时间?

We’re not going to buy anything now.”

我们现在不打算买任何东西。”

Narrator: : By the end of the decade, increased Latino immigration and a galvanized civil rights movement was transforming the country.

旁白:到本世纪末,拉丁裔移民的增加和民权运动的兴起正在改变这个国家。

Baseball was changing too, with the Pirates leading the way.

棒球运动也在发生变化,海盗队引领了潮流。

In 1971, Clemente found himself leader of a team unlike any in baseball history.

1971 年,克莱门特发现自己成为了一支棒球历史上独一无二的球队的领袖。

Steve Blass, teammate: : It’s almost Latin, black and white.

史蒂夫·布拉斯(Steve Blass),队友::这几乎是拉丁文,黑白的。

...

...

It sounds so trite and so contrived, but we had a bunch of guys who could play.

这听起来很老套,很做作,但我们有一群能打球的人。

Manny Sanguillén, teammate [Spanish, subtitled]: :We were like a family back then.

Manny Sanguillén,队友[西班牙语,字幕]::那时我们就像一家人。

We weren’t thinking about color.

我们没有考虑颜色。

We just wanted to win.

我们只是想赢。

David Maraniss, biographer: : It was a time of change and transformation that scared a lot of people and one of the manifestations of that was that the Pirates as they became more black and Latino became less popular in the city.

传记作者大卫·马拉尼斯 (David Maraniss):这是一个变革和变革的时代,令很多人感到害怕,其表现之一就是海盗变得越来越黑人,而拉丁裔在这座城市变得越来越不受欢迎。

Robert Ruck, historian: : Roberto is the guy they look up to, white, black and Latin.

历史学家罗伯特·拉克(Robert Ruck)::罗伯托是他们尊敬的人,无论是白人、黑人还是拉丁人。

They look up to him because he delivers on the field, but he’s the guy that holds them together off the field.

他们尊敬他,因为他在场上表现出色,但他是在场外将他们团结在一起的人。

And he’s much more of a leader, much more of a clubhouse presence by 1971, which in many ways is his coming out party to the world.

到了 1971 年,他更像是一位领导者,更多的是俱乐部会所的存在,从很多方面来说,这是他向世界展示的聚会。

Narrator: : In 1971, Pittsburgh managed to reach the World Series once again.

旁白: : 1971 年,匹兹堡队再次进入世界职业棒球大赛。

At 37, the oldest player in the Series, Clemente had battled injuries all season.

克莱门特现年 37 岁,是系列赛中最年长的球员,整个赛季都在与伤病作斗争。

But his intensity hadn’t diminished, nor his competitive drive.

但他的强度并没有减弱,他的竞争动力也没有减弱。

Les Banos, friend: : He pulled me aside, he said, I guarantee you, we going to win.

Les Banos,朋友::他把我拉到一边,他说,我向你保证,我们会赢。

And I told him, Roberto, you cannot say anything like it because if it don’t turn out to be, you’ll be a laughing stock, everybody make a joke out of it.

我告诉他,罗伯托,你不能说这样的话,因为如果事实并非如此,你就会成为笑柄,每个人都会拿它开玩笑。

Matino Clemente, brother [in Spanish, subtitled]: : He liked to play under pressure.

马蒂诺·克莱门特(Matino Clemente),兄弟[西班牙语,字幕]::他喜欢在压力下打球。

Other players don’t.

其他玩家则不然。

Because if you fail, they’ll eat you alive.

因为如果你失败了,他们就会活活吃掉你。

David Maraniss, biographer: : He came up to Jose Pagan, one of his teammates, and said you guys just get on my back and I’ll carry you.

传记作者大卫·马拉尼斯 (David Maraniss)::他走到他的队友之一何塞·帕甘 (Jose Pagan) 面前,说你们就骑在我背上,我会背着你们。

Narrator: : The Baltimore Orioles had four 20 game winners on their pitching staff, and were hands down favorites in the series.

旁白::巴尔的摩金莺队的投手组中有四名 20 场比赛获胜者,并且是该系列赛中毫无疑问的热门球队。

That didn’t faze #21.

这并没有让 #21 感到困扰。

David Maraniss, biographer: : There was one moment that overwhelmed everything else and it wasn’t a throw or a great hit.

传记作者大卫·马拉尼斯 (David Maraniss)::有一个时刻压倒了其他一切,而且这不是一次投掷,也不是一次重大打击。

It was a dribbler that Clemente hit back to the Baltimore pitcher Mike Cuellar.

克莱门特运球回击巴尔的摩投手迈克·奎利亚尔。

Robert Ruck, historian: : That caused the pitcher to throw wildly.

历史学家罗伯特·拉克(Robert Ruck)::这导致投手疯狂投球。

He wasn’t just going to assume that the pitcher was going to throw him out.

他不会只是假设投手会把他扔出去。

And it was his hustle that did it.

正是他的努力做到了这一点。

David Maraniss, biographer: : Everybody I’ve talked to on both teams said that they could just feel Clemente’s overwhelming will to win dominating that series.

传记作者大卫·马拉尼斯 (David Maraniss)::与我交谈过的两支球队的每个人都表示,他们可以感受到克莱门特压倒性的获胜意愿,统治着这个系列赛。

Narrator: : After the two teams traded wins, forcing a seventh game, Clemente reassured his nervous teammates.

旁白::两队互胜,进入第七场比赛后,克莱门特安抚了紧张的队友们。

In the fourth inning, he blasted a towering home run, breaking a scoreless tie; five innings later, the Pirates were World Champions.

第四局,他轰出一记高耸的本垒打,打破了不分平局;五局后,海盗队获得了世界冠军。

David Maraniss, biographer: : Clemente was brilliant in that World Series.

传记作者大卫·马拉尼斯 (David Maraniss)::克莱门特在那场世界大赛中表现出色。

He batted .414, he got a hit in every game, he was terrific in right field, but it was more than any of that.

他击球率为 0.414,他每场比赛都击中安打,他在右外野表现出色,但比其他任何一个都更重要。

George Will, writer: : His performance was a jewel — one of the greatest performances, five or six or seven, in World Series history.

乔治·威尔,作家::他的表演是一颗宝石——世界职业棒球大赛历史上最伟大的表演之一,五、六或七次。

Narrator: : In the jubilant Pirate locker room, Clemente took the opportunity to speak directly to those who mattered most to him.

旁白::在欢腾的海盗更衣室里,克莱门特借此机会直接与那些对他来说最重要的人交谈。

Juan Gonzales, writer: : Roberto was breaking the mold in saying, “Yes, I Will talk to you.

胡安·冈萨雷斯(Juan Gonzales),作家::罗伯托打破常规说:“是的,我会和你谈谈。

But first let me talk to my family and, and my community.” I think that was enormously important certainly for those Latino fans here in the United States as well as those in Puerto Rico and Latin America who were also listening to that.

但首先让我和我的家人和社区谈谈。”我认为这对于美国以及波多黎各和拉丁美洲的拉丁裔粉丝来说无疑是非常重要的。

Osvaldo Gil, friend [in Spanish, subtitled]: : It is the greatest day of his life, what is his first thought?

奥斯瓦尔多·吉尔(Osvaldo Gil),朋友[西班牙语,字幕]::这是他一生中最伟大的一天,他的第一个想法是什么?

Family and country.

家庭和国家。

I think that’s why he spoke Spanish.

我想这就是他说西班牙语的原因。

Steve Blass, teammate: : It’s still chaotic and everything, we get on the airplane, and before we take off, I’m sitting by the window, Karen is in the middle seat, Roberto Clemente comes up the aisle, and looks at me, I’m sitting there, he says, “Come here Blass, let me embrace you.” And I walked up and he gave me this big hug, and I get goose bumps now thinking about it.

史蒂夫·布拉斯(Steve Blass),队友::一切仍然很混乱,我们上了飞机,起飞前,我坐在靠窗的位置,凯伦坐在中间的座位上,罗伯托·克莱门特(Roberto Clemente)走过过道,看着我,我坐在那里,他说,“过来布拉斯,让我拥抱你。”我走过去,他给了我一个大大的拥抱,现在想起来我就起鸡皮疙瘩。

Here’s Roberto Clemente getting up out of his seat coming up and wanting to give me a hug and it just, it validated everything that I ever thought that could happen to me in the game of baseball.

罗伯托·克莱门特从座位上站起来,想要给我一个拥抱,这证实了我曾经认为在棒球比赛中可能发生在我身上的一切。

Narrator: : Over a remarkable career, Clemente had converted even the skeptics.

旁白::在非凡的职业生涯中,克莱门特甚至改变了怀疑论者。

Four batting titles.

四个击球冠军。

National League MVP.

全国联赛MVP。

The next season, 1972, would see him reach one of baseball’s most prestigious milestones, 3000 career hits.

下一个赛季,即 1972 年,他达到了棒球界最负盛名的里程碑之一:职业生涯安打 3000 支。

But the game’s best right fielder had other things on his mind.

但这位比赛中最好的右外野手却有其他的想法。

Robert Ruck, historian: : There’s something going on, with Clemente in the later years where he’s making a transition from ballplayer to a statesman, you know from somebody who is putting up Hall of Fame numbers on the field, but to somebody who you can just see what he’s becoming off the field.

历史学家罗伯特·拉克:克莱门特在晚年发生了一些事情,他正在从球员转变为政治家,你从一个在球场上打入名人堂的人那里知道,但从一个你可以看到他在场外变成什么样子的人那里知道。

He’s spending a lot of his time thinking about things, planning things, beginning projects which he hoped to accomplish once he left the ball field for good.

他花了很多时间思考事情、计划事情、开始项目,这些项目是他希望在永远离开球场后完成的。

Narrator: : That winter, Clemente found corporate sponsors for baseball clinics across Puerto Rico, and worked on plans for his passion, an ambitious sports city for underprivileged kids.

旁白:那年冬天,克莱门特为波多黎各各地的棒球诊所找到了企业赞助商,并为他的热情制定了计划,为贫困儿童建造一座雄心勃勃的体育城市。

He traveled more widely throughout Latin America, and even coached an amateur team in Nicaragua.

他更广泛地游历了拉丁美洲,甚至在尼加拉瓜执教过一支业余球队。

Osvaldo Gil, friend [in Spanish, subtitled]: : What he saw on the streets of Nicaragua — had a big impact on Roberto.

奥斯瓦尔多·吉尔(Osvaldo Gil),朋友(西班牙语,字幕)::他在尼加拉瓜街道上看到的一切对罗伯托产生了很大的影响。

It moved him.

这让他感动。

Robert Ruck, historian: : I think that Nicaragua in 1972 did remind Roberto of what Puerto Rico was like when he was a boy in the thirties and the forties.

历史学家罗伯特·拉克(Robert Ruck):我认为 1972 年的尼加拉瓜确实让罗伯托想起了他三四十岁的时候波多黎各的样子。

He approached kids and kids approached him and he talked to them and he went to their homes and he found out that about their lives and he identified with them.

他走近孩子们,孩子们也走近他,他和他们交谈,他去了他们的家,他了解了他们的生活,并认同他们。

Narrator: : On December 23, 1972, the Clementes awoke in Puerto Rico to the news of a massive earthquake in Nicaragua.

旁白: 1972 年 12 月 23 日,克莱门特一家在波多黎各醒来,听到尼加拉瓜发生大地震的消息。

Roberto quickly located a ham radio operator who could provide details of the damage, and asked what help people on the ground could use.

罗伯托很快找到了一名业余无线电操作员,他可以提供损坏的详细信息,并询问当地的人们可以寻求哪些帮助。

The reply was blunt, and for Clemente, heart-wrenching: Food, clothing, medical supplies.

答复很直白,对克莱门特来说,令人心痛:食物、衣服、医疗用品。

Everything.

一切。

He threw himself into the relief effort, body and soul.

他全身心投入到救灾工作中。

David Maraniss, biographer: : It became his passion for the next week or so he was …

传记作者大卫·马拉尼斯 (David Maraniss)::这成为他在接下来一周左右的热情……

that’s all he was doing, day and night, was trying to round up aid for the people of Managua.

这就是他日日夜夜所做的一切,试图为马那瓜人民筹集援助。

Narrator: : When he heard the news of corruption and looting, of relief supplies stolen, Clemente decided to intervene — personally.

旁白:当克莱门特听到腐败和抢劫以及救援物资被盗的消息时,他决定亲自进行干预。

He would accompany a planeload of emergency supplies to Nicaragua.

他将陪同一架满载紧急物资的飞机前往尼加拉瓜。

Robert Ruck, historian: : The people on the ground in Managua are calling Roberto.

历史学家罗伯特·拉克(Robert Ruck)::马那瓜当地的人们正在呼唤罗伯托。

Roberto, you have to come.

罗伯托,你必须来。

If you come here, it’ll get where it needs to go.

如果你来到这里,它就会到达它需要去的地方。

Narrator: : Clemente wasted no time.

旁白::克莱门特没有浪费时间。

At San Juan’s International Airport, he chartered the first plane and pilot he could find.

在圣胡安国际机场,他包租了他能找到的第一架飞机和飞行员。

After some frantic hours of repairs, the DC-7 was finally cleared for take off.

经过几个小时的疯狂维修后,DC-7 终于获准起飞。

It was a few minutes after 9pm, December 31, 1972.

那是 1972 年 12 月 31 日晚上 9 点刚过几分钟。

Vera Clemente, wife [in Spanish, subtitled]: : We said goodbye on the tarmac, and he climbed the stairs to the plane.

维拉·克莱门特(Vera Clemente),妻子(西班牙语,字幕)::我们在停机坪上告别,他爬上楼梯登上飞机。

He gave me a very sad look.

他给了我一个非常悲伤的表情。

I read many things in that look.

我从那个表情中读到了很多东西。

“I would like to bring you, but I can’t.

“我很想带你去,但我不能。

I should stay, but I can’t.”

我应该留下来,但我不能。”

David Maraniss, biographer: : The plane was sort of tipping wrong.

传记作者大卫·马拉尼斯 (David Maraniss)::飞机有点倾斜错误。

And the front wheel was a little …

而且前轮有点……

almost off the ground and the back wheel was smashed, and said something, something’s wrong here.

差点离地,后轮被撞坏了,还说,这里出事了。

But Clemente was so determined to get to Nicaragua to do what he thought he had to do that he wasn’t really paying attention to any of that stuff.

但克莱门特坚决要去尼加拉瓜做他认为他必须做的事情,以至于他并没有真正关注这些事情。

It barely got off the ground, just over the trees, over the ocean about a mile and it disappeared.

它几乎没有离开地面,就在树林上方,在海洋上方大约一英里的地方就消失了。

Narrator: : Just as Clemente’s plane departed, Carol Brezevec and her mother were just arriving on the island.

旁白::正当克莱门特的飞机起飞时,卡罗尔·布雷泽维克和她的母亲刚刚抵达岛上。

Vera had gone to the terminal to meet her.

维拉已经去航站楼接她了。

Carol Brezovec Bass: : She was explaining to us, you know, what had happened, and how, ah, she had taken Roberto to the airport, and that, um, he was on his way to Nicaragua and that he would call as soon as he got there.

卡罗尔·布雷佐维克·巴斯::她正在向我们解释,你知道,发生了什么事,以及,啊,她如何带罗伯托去机场,嗯,他正在前往尼加拉瓜的路上,他一到那里就会打电话。

Narrator: : But the phone call never came.

旁白::但是电话一直没有打来。

Late that night, Clemente’s niece called Vera.

那天深夜,克莱门特的侄女给维拉打电话。

She had heard a radio report that a plane had crashed into the ocean just after take off.

她听到广播报道称,一架飞机起飞后不久就坠入大海。

Carol Brezovec Bass: : Things just became much more serious and much more quiet.

卡罗尔·布雷佐维克·巴斯 (Carol Brezovec Bass)::事情变得更加严肃、更加安静。

By then, there should have been a phone call from Roberto, to say he was okay, you know, I’m here, I’ll be right back.

到那时,罗伯托应该会打来电话,说他没事,你知道,我在这里,我马上回来。

Narrator: : The following day, helicopters and a rescue fleet surveyed the waters off San Juan, to no avail, as a disbelieving crowd gathered on the beach, praying for a miracle.

旁白: 第二天,直升机和救援队对圣胡安附近的水域进行了勘察,但毫无结果,因为一群难以置信的人群聚集在海滩上,祈祷奇迹出现。

Carol Brezovec Bass: : You know, the reality became more clear as we would see more and more medical supplies wash up and signs that in fact this was the cargo plane and this was the plane that, um, he was on.

卡罗尔·布雷佐维克·巴斯:你知道,现实变得更加清晰,因为我们会看到越来越多的医疗用品被冲走,并且有迹象表明这实际上是货机,而这就是嗯,他乘坐的飞机。

Narrator: : Pittsburgh teammates waited anxiously for news; one even joined in the rescue effort.

旁白::匹兹堡的队友们焦急地等待着消息;甚至有人加入了救援工作。

But Roberto Clemente’s body would never be found.

但罗伯托·克莱门特的尸体永远不会被发现。

Manny Sanguillén, teammate [in Spanish, subtitled]: : The tide pulled everything away.

Manny Sanguillén,队友[西班牙语,字幕]::潮水把一切都带走了。

They couldn’t see anything.

他们什么也看不见。

Slate: : Headline: “Bucs’ Clemente Killed In Crash”

Slate: : 标题:“海盗队的克莱门特在事故中丧生”

Al Oliver, teammate: : It knocked me off my feet.

艾尔·奥利弗(Al Oliver),队友::这让我震惊。

You looked at Roberto as someone who was invincible.

你把罗伯托视为无敌的人。

We knew that we had lost our leader.

我们知道我们失去了领袖。

Juan Gonzales, writer: : It was two days after his death, and I come out of my apartment in the South Bronx and people are pouring out with cans of food, blankets and other supplies uh, to give to the victims of the earthquake in Nicaragua.

胡安·冈萨雷斯(Juan Gonzales),作家::那是他去世两天后,我从南布朗克斯的公寓出来,人们正在涌出罐头食品、毯子和其他物资,呃,送给尼加拉瓜地震的受害者。

Here were all of these Puerto Ricans, all of them impoverished themselves, and to some degree it seemed to me their way of, like, expressing not only their sense of loss over Clemente, but their sense of continuing what he was trying to do.

这里有所有这些波多黎各人,他们都让自己陷入贫困,在某种程度上,在我看来,他们不仅表达了对克莱门特的失落感,而且表达了他们继续他试图做的事情的感觉。

And that truck filled up in, in half an hour.

半小时内,那辆卡车就装满了。

George Will, writer: : Great athletes compress life’s trajectory — a naturally rapid ascent, glamorous apogee, slow decline.

乔治·威尔,作家:伟大的运动员压缩了生命的轨迹——自然的快速上升,迷人的最高点,缓慢的下降。

Most great athletes live most of their life after their life, as it were.

大多数伟大的运动员在死后的大部分时间都在度过。

Didn’t you used to be a ballplayer.

你以前不是打棒球的吗?

Clemente was great and gorgeous to watch, elegant, noble — right until this horribly abrupt end.

克莱门特看起来伟大而华丽,优雅,高贵——直到这可怕的突然结束。

Osvaldo Gil, friend [in Spanish, subtitled]: : My mother gave me the only explanation that made sense.

奥斯瓦尔多·吉尔(Osvaldo Gil),朋友[西班牙语,字幕]::我母亲给了我唯一有意义的解释。

“If he had died as a player, only the sports fans would have remembered him.

“如果他作为一名球员去世,只有体育迷会记得他。

But by dying while helping others, he would be remembered as a humanitarian.” And she was right.

但通过在帮助他人的过程中死去,他将作为一名人道主义者被人们铭记。”她是对的。

Slate: : Less than three months after his death, following an unprecedented vote, Roberto Clemente became the first Latino player elected to Baseball’s Hall of Fame.

Slate::罗伯托·克莱门特去世后不到三个月,经过一场史无前例的投票,罗伯托·克莱门特成为第一位入选棒球名人堂的拉丁裔球员。

Clemente family members reflect on the player and the humanitarian.

克莱门特家族成员反思了球员和人道主义者。

Legendary first baseman and All-Star slugger Orlando Cepeda discusses fellow player Roberto Clemente.

传奇一垒手和全明星重击手奥兰多·塞佩达讨论队友罗伯托·克莱门特。

An interview with Roberto Clemente filmmaker Bernardo Ruiz.

采访罗伯托·克莱门特电影制片人贝尔纳多·鲁伊斯。

Roberto Clemente is introduced to overt racism while training in the American South.

罗伯托·克莱门特在美国南部训练时接触到了公开的种族主义。

Major League Baseball tried to ignore the "un-American" heritage of Latino ballplayers.

美国职业棒球大联盟试图忽视拉丁裔球员的“非美国”传统。

In November 1960, Roberto Clemente was more than disappointed after finishing only eighth among National League players in the Baseball Writers Association’s Most Valuable Player balloting.

1960 年 11 月,罗伯托·克莱门特 (Roberto Clemente) 在棒球作家协会最有价值球员投票中仅在国家联盟球员中排名第八,他感到非常失望。

On New Year’s Eve 1972, Clemente's plane crashed shortly after takeoff, killing the baseball star and all four crew members.

1972 年除夕夜,克莱门特的飞机起飞后不久坠毁,这位棒球明星和所有四名机组人员丧生。

Tributes followed.

随后是致敬。

Born in Puerto Rico, Clemente's career sheds light on the issues of immigration, civil rights and cultural change.

克莱门特出生于波多黎各,他的职业生涯为移民、民权和文化变革问题提供了线索。

中文为机器翻译,仅供参考。